Music lovers might not know the name of soul singer Bobby Womack but without a doubt hearing any one of the major hit songs he wrote and sang would make people stand up and say, “He wrote that song?” Yes, he wrote and sang a lot of songs and has been a singer/song writer for well over 50 years.
He was born in Cleveland, Ohio to very strict parents who wanted to make sure their five sons grew up right. Bobby was his Deacon father’s favorite son and never felt the wrath of his dad even when he played his fathers guitar on the sly. When Bobby broke a string on the guitar his brothers thought he’d be in trouble but his dad said that if Bobby “could play the guitar I’ll forget about giving you a whooping.” Bobby played that guitar perfectly.
All the Womack boys had talent so their dad formed a gospel group for them called, “The Womack Brothers.” Before too long the brothers were playing with Aretha Franklin, Sam Cooke, and the great Marvin Gaye.
Sam Cooke offered the brothers a record deal but their father didn’t want his sons to take it. The boys had other ideas. They grabbed Cooke’s deal, changed their name to “The Valentinos” and became pop singers.
Their first hit was a remake of the old spiritual song, “I’m Looking for a Love.” The song zoomed to number five on the pop charts and “The Valentinos” were a hit.
Bobby was also a song writer and one of his earliest hits was, “It’s All Over Now” but it wasn’t a hit for Womack. It was covered by a group in England. The song was a huge success for “The Rolling Stones.” Bobby was angry that the Stones covered his song but Sam Cooke told him that those “white boys would make the song more popular” than Womack could. Bobby’s first check was for $30,000 and he never doubted Sam again.
In December 1964, Sam Cooke was shot and killed in a California hotel room. Bobby wanted to comfort Cooke’s widow, Barbara, but she had other plans. Four months later, 21-year-old Bobby Womack married 29-year-old Barbara Cooke and for many years he was then known as the man who married Sam Cooke’s widow. He finally became famous but it was for the wrong reason.
No one wanted anything to do with Bobby Womack after his marriage. The applause stopped and he found happiness in cocaine. He was high all the time for three years and didn’t care what anyone thought about him. As it was no one wanted to associate with him. He paid bills by becoming a sessions player.
It was with the help of Wilson Pickett that Womack’s luck changed. Pickett turned Bobby’s songs into hits again.
One of Bobby’s hits was a cover he did of “The Mama’s & The Papa’s” song, “California Dreamin’.” The song brought Womack out of the dark again.
In 1971, he and Barbara Cooke ended their marriage but that didn’t stop him from writing.
He wrote a whole slew of hits including, “That’s the Way I Feel About You,” which went to number two on the charts, “Breezin’,” which was a huge success for George Benson, and he wrote, “Across 110th Street” for the movie of the same name which is still heard in many other movies.
Tragedy found the Womack brothers in 1974 when their brother, Harry, was stabbed and killed by his girlfriend. Bobby was so upset he canceled his tour and tried to throw himself out a window. He started using more drugs to ease his pain.
While sitting in a bar in 1975, Bobby saw a young lady, Regina, and immediately proposed to her. They married and two years later had a son. When the child was four months old, the baby crawled in between the crib and the wall and suffocated. Eventually the couple had more children
Womack’s life was in shambles during the late 1970s. Three major record labels dropped him. But in 1981, he had another record deal for a small label and wrote the hit, “If You Think You’re Lonely Now.” The single was a hit on Bobby’s album, “The Poet.” Three years later he put out “The Poet 2.”
His career faltered again in the late 1980s and 1990s. The small record label he was on didn’t pay him for his albums. Bobby believed that they used him.
Bobby and Regina’s son committed suicide and Regina filed for divorce. But Bobby Womack fought on.
In 2010, he started singing with the English group, “The Gorillaz.” Even though he and Regina are no longer married he still takes care of her and Bobby has been off drugs since the 1990s.
Today, Bobby Womack is still singing. “Music is an inspirational high,” he says, “it’s better than making love.”
Biography from AllMusic.com:
A veteran who paid his dues for over a decade before getting his shot at solo stardom, Bobby Womack persevered through tragedy and addiction to emerge as one of soul music’s great survivors. Able to shine in the spotlight as a singer or behind the scenes as an instrumentalist and songwriter, Womack never got his due from pop audiences, but during the late ’60s and much of the ’70s, he was a consistent hitmaker on the R&B charts, with a high standard of quality control. His records were quintessential soul, with a bag of tricks learned from the likes of Sam Cooke, Wilson Pickett, and Sly Stone, all of whom Womack worked closely with at one time or another. Yet often, they also bore the stamp of Womack’s own idiosyncratic personality, whether through a lengthy spoken philosophical monologue or a radical reinterpretation of a pop standard. An underrated guitarist, Womack helped pioneer a lean, minimalist approach similar to that of Curtis Mayfield, and was an early influence on the young Jimi Hendrix. Additionally, his songs have been recorded by numerous artists in the realms of both R&B and rock, and the best of them rank as all-time classics.
Bobby Dwayne Womack was born in Cleveland on March 4, 1944. His upbringing was strict and religious, but his father Friendly also encouraged his sons to pursue music as he had (he sang and played guitar in a gospel group). In the early ’50s, while still a child, Bobby joined his siblings Cecil, Curtis, Harry, and Friendly Jr. to form the gospel quintet the Womack Brothers. They were chosen to open a local show for the Soul Stirrers in 1953, where Bobby befriended lead singer Sam Cooke; following this break, they toured the country as an opening act for numerous gospel groups. When Cooke formed his own SAR label, he recruited the Womack Brothers with an eye towards transforming them into a crossover R&B act. Learning that his sons were moving into secular music, Friendly Womack threw them out of the house, and Cooke wired them the money to buy a car and drive out to his Los Angeles offices. The Womack Brothers made several recordings for SAR over 1960 and 1961, including a few gospel sides, but Cooke soon convinced them to record R&B and renamed them the Valentinos. In 1962, they scored a Top Ten hit on the R&B charts with “Lookin’ for a Love,” and Cooke sent them on the road behind James Brown to serve a boot-camp-style musical apprenticeship. Bobby eventually joined Cooke’s backing band as guitarist. The Valentinos’ 1964 single “It’s All Over Now,” written by Bobby, was quickly covered by the Rolling Stones with Cooke’s blessing; when it became the Stones’ first U.K. number one, Womack suddenly found himself a rich man.
Cooke’s tragic death in December 1964 left Womack greatly shaken and the Valentinos’ career in limbo. Just three months later, Womack married Cooke’s widow, Barbara Campbell, which earned him tremendous ill will in the R&B community; many viewed him as a shady opportunist looking to cash in on Cooke’s legacy, especially since Campbell was significantly older than Womack. According to Womack, he was initially motivated to look after Campbell in an unstable time, not to tarnish the memory of a beloved mentor. Regardless, Womack found himself unable to get his solo career rolling in the wake of the scandal; singles for Chess (“I Found a True Love”) and Him (“Nothing You Can Do”) were avoided like the plague despite their quality. The Valentinos cut a couple of singles for Chess in 1966, “What About Me” and “Sweeter Than the Day Before,” which also failed to make much of a splash. To make ends meet, Womack became a backing guitarist, first landing a job with Ray Charles; he went on to make a valuable connection in producer Chips Moman, and appeared often at Moman’s American Studio in Memphis, as well as nearby Muscle Shoals, AL. In the process, Womack appeared on classic recordings by the likes of Joe Tex, King Curtis, and Aretha Franklin (Lady Soul), among others. He recorded singles for Keymen and Atlantic without success, but became one of Wilson Pickett’s favorite songwriters, contributing the R&B Top Ten hits “I’m in Love” and “I’m a Midnight Mover” (plus 15 other tunes) to the singer’s repertoire.
Womack had been slated to record a solo album for Minit, but had given Pickett most of his best material, which actually wound up getting his name back in the public eye in a positive light. In 1968, he scored the first charting single of his solo career with “What Is This?” and soon hit with a string of inventively reimagined pop covers — “Fly Me to the Moon,” “California Dreamin’,” and “I Left My Heart in San Francisco,” the former two of which reached the R&B Top 20. A songwriting partnership with engineer Darryl Carter resulted in the R&B hits “It’s Gonna Rain,” “How I Miss You Baby,” and “More Than I Can Stand” over 1969-1970. A series of label absorptions bumped Womack up to United Artists in 1971, which proved to be the home of his greatest solo success; in the meantime, he contributed the ballad “Trust Me” to Janis Joplin’s masterpiece Pearl, and the J. Geils Band revived “Lookin’ for a Love” for their first hit. He also teamed up with jazz guitarist Gabor Szabo on the LP High Contrast, which debuted Womack’s composition “Breezin'” (which, of course, became a smash for George Benson six years later). Most importantly, however, Womack played guitar on Sly & the Family Stone’s There’s a Riot Goin’ On, a masterpiece of darkly psychedelic funk that would have an impact on Womack’s own sound and sense of style.
Womack issued his first UA album, Communication, in 1971, which kicked off a string of excellent releases that ran through the first half of the decade. In addition to several of Womack’s trademark pop covers, the album also contained the original ballad “That’s the Way I Feel About ‘Cha,” which climbed all the way to number two on the R&B chart and became his long-awaited breakout hit. The 1972 follow-up Understanding spawned Womack’s first chart-topper, “Woman’s Gotta Have It,” co-written with Darryl Carter and stepdaughter Linda (Womack divorced Barbara Campbell in 1970). The follow-up “Harry Hippie,” a gently ironic tribute to Womack’s brother, also hit the R&B Top Ten. Later that year, Womack scored the blaxploitation flick Across 110th Street; the title cut was later revived in the 1998 Quentin Tarantino film Jackie Brown. 1973’s The Facts of Life had an R&B number two hit in a rearrangement of the perennial “Nobody Knows You When You’re Down and Out,” and the following year’s Lookin’ for a Love Again found Womack revisiting his Valentinos hit; the re-recorded “Lookin’ for a Love” became his second number one R&B single and his only Top Ten hit on the pop charts. Follow-up single “You’re Welcome, Stop On By” made the R&B Top Five.
Womack was by this time a seasoned veteran of the rock & roll lifestyle, having befriended the likes of the Rolling Stones, the late Janis Joplin, and Sly Stone. After his brother Harry was murdered by a jealous girlfriend in 1974 (in Bobby’s own apartment), the drug usage began to take a more serious turn. Womack scored further R&B Top Ten hits with 1975’s “Check It Out” and 1976’s “Daylight,” the latter of which seemed to indicate a longing for escape from the nonstop partying that often masked serious depression. Despite Womack’s new marriage to Regina Banks, the song was a sign that things were coming to a head. Womack pushed UA into letting him do a full album of country music, something he’d always loved but which the label regarded as commercially inadvisable (especially under the title Womack reportedly wanted to use: Step Aside, Charley Pride, Give Another Nigger a Try). They eventually relented, and when BW Goes C&W met with predictably minimal response, UA palmed the increasingly difficult Womack off on Columbia. A pair of albums there failed to recapture his commercial momentum or reinvent him for the disco age, and he moved to Arista for 1979’s Roads of Life, which appeared not long after the sudden death of his infant son.
At a low point in his life, Womack took a bit of time off from music to gather himself. He appeared as a guest vocalist on Jazz Crusader Wilton Felder’s 1980 solo album Inherit the Wind, singing the hit title track, and subsequently signed with black entrepreneur Otis Smith’s independent Beverly Glen label. His label debut, 1981’s The Poet, was a critically acclaimed left-field hit, rejuvenating his career and producing a number three R&B hit with “If You Think You’re Lonely Now.” Unfortunately, money disputes soured the relationship between Womack and Smith rather quickly. The Poet II was delayed until 1984, and featured several duets with Patti LaBelle, including another number three R&B hit, “Love Has Finally Come at Last.” Beverly Glen released a final LP culled from Womack’s previous sessions, Someday We’ll All Be Free, in 1985, by which time the singer had already broken free and signed with MCA. Another hit with Wilton Felder, “(No Matter How High I Get) I’ll Still Be Looking Up to You,” appeared that year, and his label debut So Many Rivers produced a Top Five R&B hit in “I Wish He Didn’t Trust Me So Much.” 1986’s Womagic reunited Womack with Chips Moman, and he also backed the Rolling Stones on their remake of “Harlem Shuffle.” By the following year he’d christened himself The Last Soul Man, which proved to be his final recording for MCA.
In the years since, Womack has made high-profile returns to the music business only sporadically. Released in 1994, Resurrection was recorded for Ron Wood’s Slide label and featured an array of guest stars including Wood, Keith Richards, Rod Stewart, and Stevie Wonder. In 1999, he fulfilled a longstanding promise to his father (who passed away in 1981) by delivering his first-ever gospel album, Back to My Roots. In 2010 Womack released the muted and intimate live album Raw, which was recorded on Mother’s Day weekend in 1996.