Boy George Behind The Music FULL EPISODE VH1 Documentary

Boy George Biography From AllMusic.com:

British singer Boy George combined a strong, soulful singing voice with a provocative sense of fashion, both of which were first brought to the attention of English and American audiences in the group Culture Club, for whom he served as lead singer from 1982 to 1986. The group wrote and played impeccable pop music, and Boy George’s androgynous persona — heavy makeup and outrageous costumes — gave the group a distinct video image in the dawn of MTV. That very distinctiveness, however, made the group date quickly, and at the same time Boy George encountered highly publicized personal difficulties. He re-emerged as a solo singer in 1987 with Sold, which contained a U.K. number one cover of Bread’s “Everything I Own,” but was unable to duplicate this success in the U.S. Boy George enjoyed four British singles’ chart entries in 1987 and another three in 1988. His second album, Tense Nervous Headache (1988), was not picked up for release in the U.S.; his third, Boyfriend (1989), was a Europe-only release, though Virgin Records cobbled the second and third albums together to present a second U.S. album, High Hat (1989). In 1991 came The Martyr Mantras, another patchwork album largely made up of previously non-LP dance singles. In the U.K., it was credited to a new group, Jesus Loves You, and released on Boy George’s own More Protein record label, though Virgin in the U.S. billed it as a Boy George album. By 1992, Boy George had faded at home, and in the U.S. his solo career had never taken off. Then he was brought in to sing a version of the ’60s chestnut “The Crying Game” in a production by the Pet Shop Boys, as the title song for a movie that became the sleeper hit of the winter of 1992-1993, resulting in his first substantial U.S. hit as a solo artist. Cheapness and Beauty followed in 1995, and four years later Boy George resurfaced with the rarities collection Unrecoupable One Man Bandit. Throughout the ’90s, he delved back into the club scene that birthed his early romanticism, and made a name for himself as DJ in demand. It became more than a hobby toward the end of the millennium, and Boy George garnered attention in the U.K. and U.S. club circuits; such musical creativity was captured on Essential Mix, released in fall 2000.”

After graduating from high school, Usher released his sophomore album, My Way, in 1997. In an attempt to display his maturity and songwriting abilities, Usher co-wrote six of the nine songs and enlisted the help of producers Jermaine Dupri, Babyface, and, again, Combs. The album’s first single, “You Make Me Wanna,” reestablished Usher as one of R&B’s hottest artists, and also made him a crossover sensation; it topped the R&B charts for 11 weeks, hit number two pop, and eventually went double platinum. Both of the follow-up singles, “Nice & Slow” and “My Way,” also went platinum; the former stayed at number one on the R&B charts for eight weeks and became his first number one pop single. In the meantime, Usher launched an acting career, appearing in the 1998 horror spoof The Faculty and the 1999 urban high-school drama Light It Up.

To tide fans over, he issued a concert recording titled simply Live in 1999. Usher returned with his third proper album, All About U, toward the end of 2000. His third album, 8701 (2001), moved him from a teen pop star to a sultry R&B singer. In early 2004, Arista released the single “Yeah!” Produced by Lil Jon and guesting Ludacris, the addictive, lightly crunk cut fast became a club and radio favorite. By the time the Usher full-length Confessions dropped later that March, “Yeah!” had hit the top of the Billboard charts. The album itself was Usher’s most mature work to date and won the Grammy for Best Contemporary R&B Album in 2004, while “Yeah!” took home the best rapped/sung collaboration award. He starred in the 2005 flop In the Mix and went back to music with 2008′s Here I Stand, an album that was ultimately declared a flop, even though it topped the Billboard 200 and Hot R&B/Hip-Hop Albums charts. Raymond v Raymond, inspired in part by the end of his marriage, was released in 2010 as three of its songs were climbing the charts. Its buzz single, “Papers,” had already topped the Hot R&B/Hip-Hop Singles chart. An EP titled Versus followed later in the year.

Jennifer Hudson Behind The Music FULL EPISODE VH1 Documentary

Jennifer Hudson Biography From AllMusic.com:

Best known for her role as Effie White in the 2006 film version of the Broadway musical Dreamgirls, vocalist/actress Jennifer Hudson was first brought to the public’s attention while a contestant on the third season of the reality show vocal competition American Idol. Born in 1981 in Chicago, IL, Hudson sang from a young age, first performing in her church. Various talent shows and school musical productions followed until she eventually secured a role in a local Chicago production of the musical Big River. Prior to auditioning for American Idol, Hudson also sang professionally while working on the Disney Wonder cruise ship.

In 2004, she auditioned for and won a spot on the third season of American Idol along with eventual winner Fantasia Barrino. Though a strong contender and fan favorite from the start, Hudson would eventually become the sixth of the 12 finalists to get voted off the show. Ironically, after the show ended, there was speculation that Barrino would get the coveted role of Effie in the film version of Dreamgirls. However, Hudson won the role and went on to receive not only critical acclaim for her performance, but also both a Golden Globe for Best Actress in a Supporting Role and an Oscar for Best Supporting Actress. Her debut album, Jennifer Hudson, finally materialized on Arista in September 2008, led by the Top Ten R&B/Hip-Hop single “Spotlight.” In 2011, Hudson delivered her sophomore studio-album I Remember Me featuring the R. Kelly-penned single “Where You At.”

Mike Posner – The Layover Mixtape – DOWNLOAD FREE MP3

Artist: Mike Posner
Title: The Layover
Produced by: DJ Benzi and Don Cannon

Review of The Layover from StorkMusic:

31 Minutes to Takeoff was a bit of disappointment to prior Posner mixtape fans, but was quality music either way—just not for the same audience. The Duke graduate’s latest mixtape, The Layover, is back in the realm of One Foot Out The Door and A Matter of Time. With a solid number of tracks (21, to be exact) , the mixtape does not disappoint. Former fans should be pleased.

One of the most anticipated tracks, “Traveling Man,” which was sampled on One Foot Out the Door, finally makes a full-length appearance and does not disappoint. The teaser was promised to be on the next full-length album—which indeed it was not. The same way “Traveling Man” was sampled, Posner’s next supposed single “Looks Like Sex” is offered a minute forty cameo in the lineup.

The album opens with an intro featuring Don Cannon and is followed by a brilliantly executed “Wonderwall.” “Wonderwall” has to be one of the most covered songs of all time and Posner is successful in setting his apart from the million covers out there. The chorus is backed by synthetic beats and blips and a signature melodic repetition in the bass.

“Shut Up,” we can only imagine as what I think men are thinking when they sit in front of the dressing room at Forever 21. Forced into carrying multiple shopping bags and watching clothes come in and out of the dressing room in a blur of colors and “does this look good on me?” type sentiments. The almost comedic quality of the song does a fair job of audience appeal.

The album is laid out in such a way that it can be played throughout the day—paired with suggestions on how to listen to the songs. Playing the part of a waiter offering wine accompaniments to various courses during a meal, Posner advises you to: drive to this, smoke and drive to this, pull a bad bitch to this, fly to this, pre-game to this, fuck to this, drive in the dark to this, vibe to this, ride to this, chill to this, blaze to this, reminisce to this, rage to this, think to this, or fall asleep to this. An interesting concept already applied to one of life’s vices, why not now to one of the others?

Some of our favorite tracks on this album are “Blackout Remix,” “Henny & Purple,” and “Rolling in the Deep.” I am glad Posner returned to his roots as much as I enjoyed 31 Minutes to Takeoff (namely “Gone In September,” “Do You Wanna?” and “Cheated”).

Tracklist:

1. The Layover ft. Don Cannon
2. Wonderwall ft. Big K.R.I.T. (Drive to This)
3. Shut Up ft. Rusko (Drive to This)
4. Henny & Purple ft. Slim Thug (Smoke & Drive to This)
5. Looks Like Sex [Snippet] (Pull a Bad Bitch to This)
6. Rocket Man ft. Bun B (Fly to This)
7. Blackout Remix (Pre-Game to This)
8. Hey Lady ft. Twista (Fuck to This)
9. Marauder Music ft. Blackbear (Drive in the Dark to This)
10. Long Time (Vibe to This)
11. They Call Me ft. Bei Maejor (Ride to This)
12. 21 Days (Chill to This)
13. Attitdues ft. Casey Veggies (Blaze to This)
14. Traveling Man (Reminisce to This)
15. On Fire (Drug Dealer Girl Part II) ft. Machine Gun Kelly (Rage To This)
16. Room 925 ft. Cyhi Da Prynce (Fuck to This)
17. Mittens Up ft. Elzhi & Dusty McFly (Represent Your Shit to This)
18. A Perfect Mess (Think to This)
19. Rolling in the Deep (Fall Asleep to This)
20. The Scientist (Fall Asleep to This)
21. Echo ft. Michael Franti and rjd2 (Fall Asleep to This)