The predominately instrumental finale of the Sounds Of The Season series. The only vocals are from Ella Fitzgerald.
This is for the ‘big kids’ to play after the children go the fa la la to sleep.
If you’ve collected all four, you’ll find this to be your interlude between the fun of the first three. No special mixing edits or quotes, just each song as is.
Maybe your little kid can handle this mix too? It can be your way to introduce Jazz to your youngster. Every artist featured is a genuine genius.
Wishing you good things this holiday season, and all year ’round.
Good will, have, all men.
Peace!
Qool DJ Marv
Tracklist
Exotic Night – Martin Denny
Sugar Rum Cherry (Dance of the Sugar-Plum Fairy) – Duke Ellington
Snowfall/Snowfall Cha-Cha – George Shearing & Billy May
The Christmas Waltz – George Shearing Quintet
The Christmas Song – Ella Fitzgerald
Greensleeves (Alternate Take 6) – Vince Guaraldi Trio
I Saw Mommy Kissing Santa Claus – Jimmy McGriff
Let It Snow! Let It Snow! Let It Snow!/Rudolph The Red-Nosed Reindeer – Eddie Dunstedter
Jingle Bell Rock – John Hicks
“Farewell” Jingle Bells – Dave Brubeck
White Christmas – The Junior Mance Trio
Silent Night – Marcus Roberts
The Secret Of Christmas – Ella Fitzgerald
Christmastime Is Here (Instrumental) – Vince Guaraldi Trio
The Christmas Song – Dave Brubeck
Qool DJ Marv & Thelonious proudly present Sounds of The Season III
3rd best, or is the 3rd the best?
More for your holiday time inspiration and celebrations.
Enjoy!
Tijuana Chorus
The Christmas Song – Boston Brass
Bill Cosby on the Christmas feeling
Christmas Sleighride – Helen Jane Long
It’s The Most Wonderful Time Of The Year – Take 6
Christmas Alphabet – The Mcguire Sisters
Winter Wonderland – Liberace
It’s The Most Wonderful Time Of The Year (A Shrift Remix) – Andy Williams
Buon Natale – Nat King Cole & Anthony Hamilton
Jingle Bells – Alan Ett & James Mcmillen
Christmas Is Coming – Vince Guaraldi Trio
Sleigh Ride – Take 6
Santa Claus Is Coming Town – Patti Labelle
Carol Of The Bells – Bob Sirois
Winter Wonderland – Kate Havnevik
Nat’s Christmas Wishes – Nat King Cole
May Christmas Bring You Happiness – Luther
Someday At Christmas – Jackson 5
Christmas Time Is Here – Afro Blue
Let It Snow! Let It Snow! Let It Snow! (Suedojazz Mix) – Lena Horne
O Christmas Tree – King Kooba
Eddie Murphy says Merry Christmas to Security (& doormen, & supers, & child care pros & teachers & clerical & cleaners & cash register people & construction workers & the kitchen & waiters & waitresses & the drummers…)
It’s Holiday Time – Jihad Muhammad
Dance Of The Sugar Plum Fairy – Aliqua
Dance Of The Sugar Plum Fairies – Synergy Brass Quintet
Carol Of The Bells – Carpenters
My Favorite Things/The Christmas Song – Herb Alpert & The Tijuana Brass
Christmas Time Is Here – The Annabel (Lee) Trio
Christmas Time Is Here – Kimberly Blue
Tijuana Chorus
“With the feel good vibes, Me and mine to you and yours”
Sounds Of The Season Volume II
Frank Sinatra – Have Yourself a Merry Little Christmas
Ramsey Lewis Trio – The Christmas Song
Earl Grant – Winter Wonderland
Oscar Peterson – Let It Snow
Edmundo Ros – My Favorite Things
José Feliciano – Jingle Bells
Stevie Wonder – Merry Christmas and Happy New Year
Paul McCartney – Wonderful Christmastime
Bill Wolfer – Dance of the Sugar Plum Fairies
KT Tunstall – Sleigh Ride
Ramsey Lewis Trio – The Sound Of Christmas
The Ramsey Lewis Trio – Snowfall
The Salsoul Orchestra – Merry Christmas All
Shawn Lee’s Ping Pong Orchestra – What a Wonderful World
Stevie Wonder – Merry Christmas / Happy Kwanzaa
Shirley Horn – Winter Wonderland (Christian Prommer Remix)
T.K. and the Sound Explosion – Silver Bells
Kenny Burell – Twelve Days of Christmas
Wynton Marsalis – Winter Wonderland
Don Byron – Bounce of the Sugar Plum Fairies
John Williams – Carol of the Bells
The Jackson 5 – Santa Claus is Coming to Town
José Feliciano – Feliz Navidad
Lou Rawls – The Christmas Song
Stevie Wonder – What Christmas Means to Me
Vince Guaraldi Trio – Linus and Lucy
The Ventures – Sleigh Ride
Singersus Artists – Carol of the Bells [Instrumental]
Eric Marienthal – Christmas Time Is Here (Reprise)
Ivy – Christmas Time Is Here
Many thanks to one of our favorite DJs anywhere in the world, Qool DJ Marv, for sharing this collection with us. This is the first installment of an incredible series of seasonal favorites. Download this and the other volumes and make them part of your annual tradition this year and years forward!
“Inspired by those big smiles.”
The Classic
Tracklist
Vince Guaraldi – The Christmas Song
Nat King Cole – The Christmas Song
Ella Fitzgerald – Have Yourself A Merry Christmas
Dean Martin – Baby, It’s Cold Outside (Arp Remix)
Peggy Lee – Happy Holiday
Vince Guaraldi Trio – Skating
The Brian Setzer Orchestra – My Favorite Things
The Supremes – My Favorite Things
Louis Armstrong – Christmas Night In Harlem
Ella Fitzgerald – Sleigh Ride
The Temptations – Rudolph the Red-Nosed Reindeer
Donny Hathaway – This Christmas
The Swingle Singers – Christmas Medley
Lou Rawls – Have Yourself a Merry Little Christmas (Away Team Remix)
Daz-I-Kue (Bugz In The Attic) – Midnight
Ray Brown Trio – The Christmas Rap
Billy Paul Williams & Nicole Henry – Santa Claus Is Coming to Town
Bing Crosby – Happy Holiday (Beef Wellington Remix)
Berlin Symphony Orchestra – Dance of the Sugar Plum Fairy (Red Baron Remix) Ferrante and Teicher – Sleigh Ride (Ralph Myerz Remix)
Vince Guaraldi Trio – Christmas Time Is Here (Markus Enochson Remix)
Vince Guaraldi Trio – Christmastime Is Here Instrumental
Vince Guaraldi Trio – Christmastime Is Here Vocal
The Dreamer/The Believer marks the first time we’ve heard from Common in a while. That’s not to say he’s been in hiding; in fact, we’ve seen more of the native Chicagoan than ever before thanks to high profile acting roles in film and television. (Common can currently be seen on AMC’s Hell on Wheels.)
But Common has been relatively quiet on the music front. Perhaps that’s a result of the less than enthusiastic reception for his 2008 effort, Universal Mind Control. It largely divided critics and fans and some questioned whether Common still the ability to make the type of hip-hop he’s known and loved for.
Well, rest assured, he can still bring it. The Dreamer/The Believer is a stellar album. Produced entirely by his long-time friend and collaborator No ID, the album is a jazzy and soulful affair that celebrates success
1. “The Dreamer” featuring Maya Angelou: A-
Common celebrates his successes with this energetic ode to achieving one’s dreams. The lyrics are flashy—when’s the last time you heard a “conscious rapper” boast about Ferraris, parties in Miami, and exquisite thick bitches?—but supremely clever. Maya Angelou ends the song with a poem about the power and resilience of dreams. “Dare to let your dreams reach beyond you,” she says. A great way to kick start the album despite the recent disappointment expressed by Angelou for the song’s use of the N-word.
2. “Ghetto Dreams” featuring Nas: B+
Chi-Town’s finest links up with the QB Street’s Disciple for another paean to dreams. The song’s title sums it up perfectly. Riches, women, fame, these are the things young cats in the ghetto dream of attaining. Though the song isn’t the earth-shattering bomb we’d hoped for from these two lyrical titans, it does whet the appetite for their rumored collaboration album Nas.Com. The production is top-notch, with No ID utilizing scratches, high-pitched strings, and beautiful sounding horns to create the song’s sonic backdrop.
3. “Blue Sky”: A-
Common explores both of the album’s themes (dreams and faith) on this inspirational, feel-good song. The MC recognizes and is thankful for his blessings, and he hopes that he can inspire others as well. Seems like a spiritual successor to Talib Kweli’s “Get By,” and that’s not a bad thing at all.
4. “Sweet”: A
“How can I say this?/Fuck it I’m the greatest/I am the A-list for all these great debaters.” And that’s how Common begins the nastiest, most vicious song on the album, which serves to remind both the listener and any potential competitors of his lyrical prowess. Hmmm, I wonder who some of those subtle verbal jabs are directed toward.
5. “Gold”: B
Over a dope, old-school beat, Common rhymes about how he achieved his dreams by forging his own path and remaining true to himself. “Writing my own scripts like I’m Tennessee Williams,” he says. The message: you don’t have to sell your soul to get what you want out of life.
6. “Lovin’ I Lost”: B+
It sounds so soulful, don’t you agree? Over a reverberant Curtis Mayfield sample, Common reminisces on his past romances. “Never played a game/But I heard about them sisters,” he rhymes. I see what you did there, Com.
7. “Raw (How You Like It)”: A-
While the “la, la, la” hook can be a bit annoying, the old-school vibe of this funky track make it the perfect beat for Com to get his Max Julien on. He spits game so wicked, referencing fashion designers like Martin Margiela, Stella McCartney, and Tom Ford and kicking witty lines like, “‘Bout to get that invite to a night over Egypt/She said, ‘You rap?’/Yeah, mummy/I’m Tutankhamun kicking and spending this rap money.”
8. “Cloth”: B-
A unique concept: Common takes the phrase “cut from the same cloth” and applies it to a romantic relationship over the course of this track. Again, it’s a creative idea, but something about it doesn’t quite work.
9. “Celebrate”: A-
It’s exactly what you’d expect a song titled “Celebrate” to be about and sound like. Common takes you back to Chicago, where he and his friends are together, having a good time, and celebrating the splendor of their lives. Another feel-good jam.
10. “Windows”: B-
A smooth, mellow track in which Common uses another well-known phrase (“the eyes are the window to the soul”) as the song’s concept. It really takes on special meaning in the second verse, when the rapper speaks about his daughter and how he’s determined to guide her through life the best way he can.
11. “The Believer” (featuring John Legend): B
Take ‘em to church, Com! Another inspirational song, this one with much more of a gospel feel thanks to John Legend’s piano abilities and the ethereal choir singing in the background. Common knows he’s been blessed, and his faith is unwavering. Oh yes, he believes: “I know that God watches/From one King’s dream/He was able to Barack us.”
12. “Pop’s Belief”: B+
Closing out the album, Common’s father, Lonnie “Pops” Lynn, comes through with a nice spoken word piece extolling the virtues of faith. “Life becomes belief/Belief becomes live/Live the life you believe/The American dream/The Black American dream/The universal dream.”
Overall Grade: B+
Our Recommendation: BUY
Our Favorite Tracks: “The Dreamer,” “Blue Sky,” “Sweet,” “Celebration”
The Dreamer/The Believer is a great piece of work, and certainly one of the year’s best hip-hop albums. Its lyrics are poetic and inspirational, and the beats, culled from samples of Kenny Loggins, Electric Light Orchestra, and Curtis Mayfield, are true-school hip-hop wonders. The album, as a whole, is a testament to following one’s dreams, holding steadfast to one’s faith, and believing that anything is possible.
What are your thoughts on The Believer/The Dreamer? LEAVE A COMMENT BELOW!
soulhead.com was definitely in the house for last week’s Snoop/Wiz show. Check out our EXCLUSIVE video footage from last week’s Wiz Khalifa and Snoop Dogg’s Concert at Terminal 5 in New York City on December 5, 2011.
Snoop Dogg – Tha Shiznit
Snoop Dogg – The Next Episode
Snoop Dogg – Ain’t Nothin But a G Thang
Snoop Dogg – Aint Nothin’ But a Gangsta Party
Snoop Dogg – Hypnotize (Tribute to Notorious B.I.G.)
Summary: Think no one knows what you’ve downloaded off the Internet with BitTorrent? Think again.
People have privacy delusions about the Internet. They seem to think that just because they don’t sign their real name to a site that no one can see what they’ve been doing on it. Oh dear. So dumb, so wrong.The latest example of what you do on the Internet is no where near as “private” as you think it is comes from a new Russian site, YouHaveDownloaded. This site claims to track 20 percent of all publicBitTorrent downloads… and tell the world who they’ve found downloading what. So, that final episode of Dexter? The DVD rip of Cowboys & Aliens? That copy of Call of Duty Modern Warfare? And, that illicit video of Smoking Hot Grannies that you really, really don’t want to talk about? Yeah, your permanent record of what you’ve been downloading off BitTorrent sites may all be available for the amusement of your friends, neighbors, and, oh yes, the copyright owners.
Tour: High School Tour Headliner: Wiz Khalifa Supporting Acts:Snoop Dogg, YG, Chevy Woods Date: Monday, December 5, 2011 Time: 8:00 P.M. Location: Terminal 5, New York City
SHOW REVIEW AND RECAP
Overall Grade: A
On Monday night, hip-hop fans packed popular NYC music venue Terminal 5 to rock with iconic rapper Snoop Dogg and young upstart Wiz Khalifa on the opening night of their six-city “High School Tour,” to promote their upcoming film “Mac and Devin Go To High School” and its accompanying soundtrack. Not only did the crowd get to see a great live show, they also bore witness to the hip-hop veteran passing the joint, uh, we mean, torch to his up-and-coming protégé.
In all honesty, however, it was at first doubtful that we would even get to see the show. The line outside the venue was at least a thousand deep and stretched from the concert hall’s entrance down the sidewalk to nearly 12th Avenue. Standing in line proved to be a daunting proposition; luckily, soulhead.com founder Ron Worthy utilized his gift of gab to convince one of the beautiful gatekeepers at the rope and stanchions to let us walk right inside with absolutely no wait. It was definitely a sign of the good night we were to have.
Opening act Chevy Woods was already on stage upon our entrance, and he performed a rather energetic set comprised of songs from his Cookout mixtape collaboration with Khalifa. The crowd, which consisted mostly of white and Asian twenty-somethings, bounced along to groovy cuts like “The Cool” and “Cookout” and cheered at the Clint Eastwood and Mac Miller shout-outs.
After Chevy’s set, Compton rapper YG took the stage and urged the crowd to chant “fuck the police” before launching into a performance that included his 2010 hit “Toot It and Boot It” as well as freestyles over current smashes like Drake’s “The Motto” and Jay-Z and Kanye’s “Niggas in Paris.”
By this point, the crowd was sufficiently hyped, so when Snoop Dogg sauntered onstage, dressed in black Dickies and locs, to the electro-hop synths of “I Wanna Rock,” the entire venue erupted. Flanked by his Dogg Pound brethren Daz and Kurupt, and a trio of scantily-clad, well-toned dancers, Snoop ran through classics like “Tha Shiznit,” “The Next Episode,”“Bitch Please,” and, of course, “Nuthin’ But A ‘G’ Thang.” And when it came time to perform “I Wanna Fuck You,” the Doggfather simply sat down in a chair while the aforementioned dancers writhed, bumped, and grinded all over him. Pimpin’ to the nth degree.
Though a tad more subdued (and mean just a tad), Wiz Khalifa, decked out in skinny denim and Peruvian cap, still owned the stage like a total rock star. Utilizing the same DJ and live band Snoop had during his performance, and ably assisted by hypeman Woods, the Pittsburgh MC powered through jams like “Reefer Party,”“5 O’Clock,”“Gang Bang,” and “In The Cut.” During the anthemic “Taylor Gang,” Wiz repped for his squad while an army of thugs outfitted in TGOD (“Taylor Gang or Die”) sweatsuits stomped around on stage.
It was telling that Snoop, the artist with a near 20-year catalog of hits, opened for the relative newbie, but when the two artists returned for one last shared set, it was clear how much the veteran rapper really sees of himself in Wiz. Their mentor-mentee relationship was made manifest for all to see as they congratulated and celebrated each other onstage before performing songs from the High School soundtrack as well as Snoop’s “Gin & Juice” and Wiz’s “Black & Yellow.”
Needless to say, plumes of smoke wafted over the crowd as people sparked blunts and toked with impunity. Kids literally bounced off the walls, and one young woman actually admonished me for taking notes during the concert. “Have fun,” she said before giving me a high-five and tight hug.
The interludes between performances showcased scenes from Mac & Devin Go To High School. The film has a low-budget charm about it, and it will certainly appeal to its intended audience, but what’s most significant is that it represents what was seen on stage that night. Hip-hop’s old and new guards joining forces and crews to move the genre forward together.
Click here to see all of the video footage from this show.
Concept albums are rare creatures to be found in the world of hip-hop. In fact, the last notable rap album to bill itself as such was Jay-Z’s American Gangster, and while it was critical and commercial success, it played hard and loose with the very rules that define exactly what a concept album is supposed to be. Thankfully, when the crown jewel of Philly hip-hop, The Roots, announced their upcoming project Undun was to be a concept album, their efforts proved to hew a little more closely to our expectations.
According to press materials, “Undun” is an “existential telling of the short life of one Redford Stephens.”
As Questlove stated on Okayplayer:
[It] is the story of this kid who becomes criminal, but he wasn’t born criminal. He’s not the nouveau exotic primitive bug-eyed gunrunner like Tupac’s character Bishop in Juice… he’s actually thoughtful and is neither victim nor hero. Just some kid who begins to order his world in a way that makes the most sense to him at a given moment.
The tale begins with Redford’s death and tells his story in reverse chronology, exploring the circumstances and decisions the character made which led to his untimely fate. It’s certainly a story we’ve all heard, read, and seen before, but perhaps not in this manner. Exploring themes of free will and predestination and drawing inspiration from a variety of sources, including (but not limited to) the work of Sufjan Stevens and HBO’s The Wire, Undun is quite a compelling work.
TRACK-BY-TRACK REVIEW
01 “Dun” – N/A
The album’s first track is merely the sound of a flatlined heart monitor. That’s not a spoiler—from the beginning, we already know Redford, the album’s protagonist, is dead. What we’ll find out after this track is how he got there.
02 “Sleep” – B
With its Hitchcock, Public Enemy, and Geto Boys references, the horn-driven “Sleep” begins Undun on a rather paranoid note. The ending couplet is powerful in that Redford wonders if he will be remembered by his loved ones after his death.
03 “Make My” (featuring Big K.R.I.T. and Dice Raw) – B+
Mississippi everyman Big K.R.I.T. assists Black Thought and Dice Raw in this rumination on whether life and its struggles are worth the effort. As the hook proclaims, “They told me that the ends/Won’t justify the means/They told me at the end/Don’t justify the dreams/That I’ve had since a child.” A very soulful, if melancholic, track.
04 “One Time” featuring Phonte and Dice Raw – B+
Phonte opens up this hard-hitting, piano-driven track which explores the pressures of street life. Dice Raw not only sings the hook but contributes a verse at the end, but the song belongs to Black Thought who communicates Redford’s point of view with inventive imagery. “Capture this moment in time/It’s smash and grab.” It’s nearly impossible to leave criminal thoughts behind.
05 “Kool On” featuring P.O.R.N. and Truck North – A-
Perhaps the funkiest and most upbeat song on Undun, BT is flanked by newcomers Greg Porn and Truck North guest starring as street hustlers celebrating their newly acquired riches. But really, is there anything worth celebrating? Even with a “gentlemanly gangsta steez beyond the 70s,” Redford knows he’s still got to watch his back. The song is built upon an infectious and incredibly funky guitar loop and filtered vocal sample.
06 “The OtherSide” featuring Bilal and P.O.R.N. – A
Redford knows he deserves the finer things—and dammit, he’s going to go after them. Black Thought’s energetic flow and hungry delivery put us right in Redford’s mind, detailing his desire to “make an entrance” and get “cheese like omelets,” even if the consequences leave him hellbound. Bilal’s gospel-tinged hook has a double meaning: “Always felt like I deserved more/But when I make it to the other side/That’s when we’ll settle up the score.” The other side, as in leaving the “have-nots” and becoming a “have”? Or, as in leaving this life and going to the next?
07 “Stomp” featuring Greg Porn and Just Blaze —B
On this guitar-driven track, Redford’s just about had it with his situation. He’s tired of living and barely surviving, so he’s about to do whatever it takes to get ahead, even if his family won’t understand his decisions. Just Blaze provides a stellar, thunderous backdrop for BT and P.O.R.N.’s rhymes and gets his filtered rant on during the hook.
08 “Lighthouse” featuring Dice Raw – B-
A rumination on lost friendships and, as a result, having no one in your corner, especially when you need them. “And no one’s in the lighthouse/And it seems like you just screamed/It’s no one there to hear the sound/And it may feel like there’s no one there/That cares if you drown/Face down in the ocean.” Noteworthy for the strong performance from Dice Raw.
09 “I Remember” — A
One of the best songs on the album, this brooding walk down memory lane finds our protagonist reminiscing on past friendships, old stomping grounds, and (maybe) his complicity in a friend’s murder. “Now I can never chill/What’s keeping me from breaking out like Benadryl/When my baptism of fire resulted in a kill/Sometimes it’s as cut and dry as a business deal/You gotta cause the blood of a close friend to spill/But you remember still.” Chilling stuff.
10 “Tip The Scale” featuring Dice Raw – B
On this track, Redford lets you know right away what his M.O. is—he’s trying to tip the scale in his favor: “I never take off cause I got a job/Rob Peter to pay Paul/Now I realize it’s the winner that takes all/Do what I gotta do because I can’t take loss.” Survival, by any means necessary.
The album closes with a four-song suite of instrumentals that sum up the stages of Redford’s life.
11 “Redford (For Yia-Yia & Pappou)” – A
It’s a simple yet beautiful piano medley.
12 “Possibility (2nd Movement)” – B+
Another piano melody, accompanied by heartbreaking strings.
13 “Will To Power (3rd Movement)” – B
A cacophonous track that doubtlessly represents the fear, paranoia, and general chaos of Redford’s life.
14 “Finality” — A-
And in death, Redford is finally at peace … or is he?
Overall Grade: B+ Best Tracks: “Kool On,” “The OtherSide,” “I Remember” Our Recommendation: (MODERATE) BUY
Though Undun is a sobering cautionary tale, it is, as stated earlier, one we’ve heard countless times before. Yet the strong lyrics, no-frills delivery, and commanding mic presence from Black Thought, the dope production, and the album’s focus on the character’s existential struggles make this album stand out from the pack.
Liner Note and other related images from Undun:
What are your thoughts on Undun? LEAVE A COMMENT BELOW!
Mixtape Details
Artist: J. Period & Black Thought from the Roots
Title: Live Mixtape (Illadelph Edition) EP
Release Date: September 26, 2010
Released By: Truelements + Lyrics to Go
Truelements + Lyrics to Go present the “J.Period Live Mixtape (Illadelph Edition)” EP — a first-of-its-kind J.Period mixtape RECORDED LIVE ONSTAGE at Toronto’s premiere hip hop festival, The Manifesto, Sept. 26, 2010. Starring legendary MC Black Thought (The Roots), the“J.Period Live Mixtape (Illadelph Edition)” EP features a 30-minute barrage of LIVE J.Period remixes with Black Thought ripping rhymes over new and classic hip hop hits, Roots fan favorites, plus a finale segment where Thought pays tribute to his favorite MCs by impersonatingthem (see: The Roots’ “Boom”)
Tracklist
1. Live Mixtape Intro
2. The Next Movement (Live)
3. Clones (Live)
4. Right On (Live)
5. Bam Bam Interlude
6. Jamrock (J.Period Live Remix)
7. Hip Hop (J.Period Live Remix)
8. Oh Yeah (J.Period Live Remix)
9. Forever (J.Period Live Remix)
10. D.O.A. (J.Period Live Remix)
11. One More Chance (J.Period Live Remix)
12. Shook Ones Interlude.mp3
13. Survival (J.Period Live Remix)
14. Simon Says (J.Period Live Remix)
15. Gin & Juice (J.Period Live Remix)
16. Thought @ Work (Live)
17. Rakim Juice (Tribute Remix)
18. Kane Raw (Tribute Remix)
19. Slick Rick Children’s Story (Tribute Remix)
20. Guru Just to Get A Rep (Tribute Remix)
21. Live Mixtape Outtro
22. Bonus: Go Hard (Live at BK Hip Hop Fest)
23. Bonus Video: J.Period & Black THought (Manifesto Video Exclusive)
Artist: Black Thought of the Roots
Title: Black Thought Mixtape
Tracklist:
1.The Roots – 75 Bars (Black’s Reconstruction)
2.Black Thought – Thought Is Like Freestyle
3.Black Thought and Questlove – Freestyle
4.Black Thought – 10 Minute Freestyle
5.The Roots and A Tribe Called Quest – Freestyle
6.Black Thought – Rap City Freestyle
7.Black Thought – Freestyle
8.Black Thought – The Professional
9.Black Thought – Please Don’t Go
10.Black Star and Black Thought – Respiration (Flying High Remix)
11.Lauryn Hill feat. Common and Black Thought – Just Like Water
12.J Dilla feat. Black Thought – Reality TV
13.Pete Rock feat. Black Thought and Rob O – It’s About That Time
14.DJ Krush feat. Black Thought – Zen Approach
15.Mos Def, Black Thought, and Eminem – Freestyle
